Kenneth Anger the man who admits to using stolen money from the Peugeot Kidnapping but blames his leading ladies boyfriend and talks about it like it is an amusing lark
The Octogenarian is equally nonchalant talking about his friend musician Bobby Beausolei, who ended up in the Manson family and completed one of his soundtracks in jail; or his film version ofThe Story of O which, unbeknown to him, was largely funded with ransom money from the infamous Peugeot kidnapping. His life and career seem to have been a series of ridiculous coincidences, which perhaps explains why he practises the occult (or maybe why we should?). Anger was peripherally involved in every major counter-culture movement in the mid part of this century. In the late 40s he befriended Surrealist filmmaker Jean Cocteau, who got him a job at the Cinémathèque Française working alongside the future directors of the French New Wave; he befriended Dr. Kinsey, the driving force behind the sexual revolution in America; he lived in Haight-Ashbury when the hippies moved in, then spent some of the late 60s in London hanging out with The Stones, Marianne Faithfull and finally Jimmy Page, who he met at an auction of Alistair Crowley memorabilia.
Anger would later relate that the money provided for the film had been a part … to the kidnappers of EricPeugeot, heir to the Peugeot car company fortune. …
excerpt from newspaper article
Anger next journeyed to Crowley’s Thelema Abbey, the Sicilian “monastery” where the magus conducted his sexual rituals. The place was scarcely more than an abandoned shanty (Crowley and his cronies had been deported in the early Twenties), but Anger helped to renovate the house, uncovering erotic frescoes and the temple room’s magic circle. His half-hour documentary, Thelema Abbey, was sponsored by Picture Post and broadcast on British television in 1955, but disappeared when the magazine folded. Plans for a 1961 film of Pauline Reage’s Story of O were scuttled when Anger discovered that the funds furnished by the lead actress’s boyfriend derived from the ransom payment to automobile heir Eric Peugeot’s kidnappers, and the actress’s father–Charles de Gaulle’s Minister of Finance–learned she wasn’t off taking harpsichord lessons after all. Legend locates the twenty minutes Anger shot as being literally underground, though apparently this extends no further than the archives of the Cinematheque Francaise, and the book would have to wait fourteen years for Just Jaeckin’s softcore adaptation. Anger’s primary endeavor during this period was the work for which he is most infamous, Hollywood Babylon (1957; revised U.S. edition 1974).
1950 Jean Cocteau
Jean Maurice Eugène Clément Cocteau (French pronunciation: [ʒɑ̃ kɔkto]; 5 July 1889 – 11 October 1963) was a French poet, novelist, dramatist, designer, playwright, artist and filmmaker. His circle of associates, friends and lovers included Kenneth Anger, Pablo Picasso, Jean Hugo, Jean Marais, Henri Bernstein, Marlene Dietrich, Coco Chanel, Erik Satie, María Félix, Édith Piaf and Raymond Radiguet.
Jean Cocteau who worked with Kenneth Anger in the 1950s worked with Michele Morgan who originally owned 10500 cielo drive that Tate and Polanski rented.
Jean Cocteau was one of Kenneth Angers lovers and worked with Michele Morgan who lived at 10500 Cielo Drive before Sharon Tate
here is a picture of them both in Petti Coats….Sharon Tate looked a lot like Michele Morgan
The so-called ‘satanic’ influence on the Stones was through the avant-garde filmmaker, Luciferian and Tinseltown gossip-queen Kenneth Anger. He had become interested in the band’s career and particularly in guitarist Brian Jones and his girlfriend Anita Pallenberg, a German film actress and model. Jones had some unusual interests, and both he and the pop singer Robert Palmer were fascinated by the master musicians of Joujouka in the Atlas Mountains of Morocco in North Africa. These musicians claimed to be still practising the ancient rites of the goat-footed god Pan. Jones went so far as to travel to North Africa to record an album of the tribal music performed by this pre-Islamic cult.
In an interview with Rolling Stone magazine Robert Palmer described how he had witnessed one of these rites to Pan. He said the dancing tribesmen appeared to be in an ecstatic trance with their eyes rolled back in their heads. Palmer said that when “the power came down” the dancer was suddenly “not there.” In fact “something else” was looking out of his eyes, which began to “glow like ruby lasers” (Rolling Stone, 23 March 1989).
Kenneth Anger believed that Anita Pallenberg and Brian Jones, who was to drown in mysterious circumstances in the swimming pool of his Sussex mansion, were witches. Allegedly, Jones showed the filmmaker an extra nipple he had on his inner thigh and told him: “In another time they would have burned me [as a witch].” Extra nipples were regarded by witch-hunters as a sign of the Devil’s Mark. A friend of Anita Pallenberg, Tony Sanchez, believed she kept her drug stash hidden in an old carved wooden chest in her flat. One day he looked inside. Instead of drugs he found it contained bones and pieces of fur and skin from “strange animals.” Mick Jagger’s one time girlfriend Marianne Faithfull described how she and Pallenberg used to sit for hours reading aloud passages from Robert Graves’ book The White Goddess and studying the ancient Celtic tree alphabet.
In her autobiography Marianne Faithfull claims the gay Anger had a crush on the bisexual Stones’ singer which was not reciprocated. When the filmmaker’s sexual overtures were rejected he became a bit of a nuisance. One day he turned up at the couple’s house in Cheyne Walk, Chelsea and bizarrely threw several books by the 18th century poet and mystic William Blake through the window. Jagger responded in disgust at this stunt by burning all the copies of the occult works that Anger had given him by Crowley and the French occultist Eliphas Levi.
Despite this, Marianne Faithfull got involved in Anger’s experimental movie Lucifer Rising, allegedly financially sponsored by Anita Pallenberg, and with a score originally to be composed by Mick Jagger. Initially the Stones’ singer was to play the leading role in the film, but he got cold feet and backed out of the project altogether. In the first version, made in 1967, the lead was taken by his brother Chris Jagger. Marianne Faithfull became involved in the second version filmed in 1972 and she agreed to take the part of the demon-goddess Lilith.
Faithfull described the baby-slaying Lilith as one of the classic female archetypes and compared her with pagan goddesses such as Diana, Astarte, Ishtar, Aphrodite and Demeter. However, she added: “From the view of patriarchy, of course, she was the pure incarnation of evil” (Faithfull by Marianne Faithfull with David Datton, 224). Interestingly, the part of the ancient Egyptian god Osiris in the film was played by Donald Cammell, son of Charles Cammell, a friend and biographer of Crowley. The younger Cammell made his own films including the controversial Performance in co-operation with Nic Roeg. It starred Mick Jagger, Anita Pallenberg and the archetypal English actor Edward Fox. Donald Cammell committed suicide in the 1990s.
The shooting of Lucifer Rising took place in Egypt and Faithfull claims that as soon as the crew and cast arrived in the country it was obvious Anger did not know what he was doing as either a film director or a magician. At that stage in her life Faithfull was seriously addicted to heroin and admits she did not know what she was doing on the set either. The whole thing was a recipe for disaster. The last sequence of the film was a winter solstice rite shot at a Neolithic site in Germany. During it, Faithfull managed to fall off a mountain. She somersaulted and landed on her feet without sustaining any injury. This convinced her that her magic was stronger than Anger’s. In her autobiography she dismissed him as a “kitsch occultist” and “a witch out of a Hollywood tabloid.”